SKT 3D challenge arch-viz international render contest. 3D CHALLENGE ARCH-VIZ MODERN OFFICE BUILDING INTERNATIONAL RENDER CONTEST December 2014 – January 2015 model by Quốc Hữu Trần render by Benedict Martin Caliwara ENTRY NO.1: UMAGANG KAY GANDA WF: Skethcup8+Kerkythea+PScs5+Picasa
enthusiasts, we often assimilate the true nature of a horror film depicting
haunted scenery simply looking on its drastic appearances. These manifestations
can be found in common physical settings, such as a dark space with fungus
growing, a decaying structure, dusty surface, manifestation of a ghost, etc.
However, it is interesting to note that in most of Stephen King’s stories and
novels featuring such haunted scenes, the focus of scary sensation doesn't necessarily adhere on the conventional scary features of a haunted environment
but rather it is through the combination of these haunted elements and the
psychological aberration of the protagonist, emanating mostly in the climax
that makes his works worth reading, and also the movie adaptation worth
Two good examples of
Stephen King’s stories featuring such haunted hotel having been adapted to film
are “The Shining” and “1408”. In these comforting and pleasing surroundings,
you would never expect horrifying events, such as bizarre death cases and
occupation of different evil spirits, to occur.
In this movie review,
the purpose is to identify the different paranormal and psychological elements
which were used as an effective way of delivering a good adapted film. The
focus is on one of Stephen King’s short stories, “1408”, directed by a Swedish
director Mikael Håfström and starring John Cusack,Samuel L. Jackson, andMary McCormack. This film was released in the US in 2007 with
John Cussack playing the part of the writer Mike Enslin. The elements used in
the film are an expansion of the psychological state of mind of the main
character as he endures different bizarre phenomena, implicating the embodiment
of evil spirits, toying with him for hours in a torture chamber, namely, the room 1408.
Mike Enslin (the
protagonist) is a former renowned novelist. He dedicated all of his works to
his family. After the death of his daughter Katie (Jasmine Jessica Anthony), he decides to
continue his career in writing ghost stories. He becomes obsessed in doing
paranormal activity that usually occurs in different haunted hotels. He
vigorously finishes his work in a more practical way, provided with different
tools for paranormal activities. However, he usually ends up with nothing to
share concretely and authentically in his book because he hasn’t yet
encountered any sign of ghost. In addition, his attitude as a disbeliever of
ghost makes him look like a skeptic writer.
The film was a little
bit slow in terms of building-up the story. Half of the film storyline focuses
on main character’s way of life, viewing how he handles his long, restless work
as a paranormal writer. During his long stay in LA, he received an anonymous
letter informing him to not go to room 1408 of Dolphin Hotel at New York. This
intrigued him a lot, as he immediately conducts an investigation which led him
to Gerald Olin (Samuel L. Jackson), the hotel manager. The hotel manager tries
to convince Mike not to enter the room 1408 by providing him confidential
documents, indicating all the series of death cases with unexplainable causes
that occurred in that room.
The story starts to
build-up and becomes more complex on the part where Mike enters the said room,
gradually materializing all the ghosts including the apparition of his dead
relatives. Here, in this specific situation, the devil’s presence was evidently
manifested through different paranormal activities that served as a form of
attack to anyone who would be the room’s occupant.
In the film, the
devils usually target their victims’ most vulnerable mind and damaged souls
which may cause physical and psychological trauma. Unfortunately, this may
result to make a suicide attempt. In Mike‘s case, he recently lost his faith
and became spiritually weak after the death of his daughter, Katey. This
experience made it easy for the devil to
inflict pain both physically and psychologically. Below are some of
the snapshot scenes that depicts physical and psychological trauma that Mike
has experienced inside the room 1408.
Numerical Element (1408)
One of the most
remarkable numerical sign that manifested throughout this film is “1408”, the
designated numbers of the supposedly haunted hotel room. This number is a
reflection of the age-old superstition regarding the number 13, long thought to
be unlucky. Some even believe that 13 have been associated with evil spirits.
For most of the modern era, this superstitious belief has continued to held,
particularly in building construction, from which most of the high-rises lack a
13th floor. In addition, hospitals and hotels have no room number
13. Since the story was set in a hotel, the author may probably take such
consideration in following this superstitious belief regarding the building
policy, such as avoiding the number 13, more specifically, the lack of a 13th
floor or 13th room. Instead, the author may intentionally use the
series of numbers which are 1-4-0-8 as an alternate representation for number
thirteen from which, when you add-up all the corresponding numbers, the result
will end-up in thirteen (1+4+0+8= 13). It is evident therefore, that the use of number 13 in many horror and science fiction movie has become prominent as means of providing such intriguing and
Element of Time
During the hour that
Mike stayed in the room 1408, he gradually lost all sense of time. The antique
digital alarm clock that was positioned in the bed, evidenced that all the
inexplicable experiences (the encounters with ghosts, his wander to different
tormented places, and the exhausting jump to a different time) which he thought
had taken for weeks, had in fact been illusions, taking just one hour inside
This digital alarm
clock was set automatically to countdown mode, beginning with a display of
“60:00”, denoting an hour. These sixty
minutes duration were a key ingredient of the devil’s plan to inflict a
sequence of agonizing experiences on his victim, tormenting him to the point where he could no longer handle
the time pressure and would contemplate suicide.
In terms of the
musical element used in this movie, the only recognizable music that appeared
in diegetic manner is the song, “We’ve only just begun” by The Carpenters,
which repeatedly played on the radio alarm clock. Here, the music was used as a
tool to deliver such messages for the hotel guests in the room 1408,
emphasizing the lyrics: “We’ve only just begun, white lace and promises, a kiss
for luck and we’re on our way, we’ve only begun…”, which means the room had
only just begun, tormenting his victim and there will be more to come.
The lyrics “a kiss
for luck and we’re on our way; we’ve only begun” may signify the scene where
Mike kisses and embrace his daughter’s apparition, which a moment later turn
his daughter into ashes. It generally emphasizes that his daughter is the only
treasure that gives him luck but, eventually the devil living inside that room
took her again, making his life more miserable. Here, the devil wants to tell
him that it was just only the beginning of more sufferings that he will
encounter in that room. This particular scenario actually reenacts the same
misery that he encounter from his past, from which he lost his daughter due to
her illness, seeing how his daughter passed away in vain.
It is wisely that we
make an evaluation of the quality of a psychological horror film by means of
distinguishing all the scary sensations that mostly strike the viewer’s
attention. Here, I will enumerate all the scenes which I think are the scariest
part of the movie arranged from the least to greatest impact.
10. This scene was
not particularly scary as it uses only classic horror scare factors such as
ghosts. Here, we can see the apparition of the former victims of the devil, as
they show to the new occupant of the said room, how they died.
9. This scene shows
how Mike stumble from the strong emphatic raging waves that burst inside the
8. Another scene that
provides eerie sensation is in the part where Mike receives several phone calls
from the desk hotel, later revealing that all the calls were just made-up by
7. This scene
exhibits how Mike trying to escape from the room 1408. He is trapped inside
that room and there is no connection to the outside world. The only getaway
options are to either kill himself or endure psychological as well as physical
torture that will last for eternity.
6. This scene scares
me in a very specific manner by using the shrill sound of a crying baby. In this scene, Mike acts as if he cannot
handle the piercing sound of the crying baby from the next door.
5. This scene really
annoys me; the old creepy woman comes into the scene out of nowhere. Later in
the subsequent scenes, it has been told that the woman who attacked Enslin was
one of the characters in the paintings hanging in room 1408.
4. This scene exhibits
the three paintings with surreal visualization, later revealing in the
subsequent scenes that these paintings actually portray chaos and disaster.
3. This scene really terrifies me- the old model
radio digital alarm clock that keeps on playing the song “We’ve only just
began” on its own. From the lyrics themselves, you will recognize that this
thing is trying to send a message to the room’s occupant.
2. This scene was
really creepy- a decaying old man chasing Mike endlessly.
1. If we’re going to
say which part is the creepiest part of the whole movie, then I would say it is
the part where Mike managed to record the conversation he had with his ghost
daughter. In the last part of the movie, the hotel manager was holding Mike’s
mini cassette recorder, which remained from his possessions. The manager played
the cassette recorder and he was shock after hearing the voice of Katey (the
ghost), the daughter of Mike.
Dramatic Element The dramatic element
in the film is seen when the protagonist encounters the apparition of his
daughter and father. There is a moment of reconciliation with his father and a
moment of acceptance regarding the death of his daughter. As he encounters the
ghost of his relatives he felt a sense of longing, wanting to savor all the moments.
Overall, despite of
the slow-building story of this film and some misleading scary scenes which
were open to several different ways of interpretation, I would rate this film-
There were two
alternate endings to this film: one ending was when the protagonist somehow
survives the incident of the burning hotel. He later discovers an item
recovered from the fire scene, a mini cassette tape recorder that had recorded
all the previous conversations he had with his ghost daughter. As he plays the
cassette aloud, his wife, Lily Enslin (Mary McCormack)hears it, proving
that the entire paranormal event which happened in that room (1408) was not an
illusion. The other alternate ending suggested that the protagonist, as well as
the hotel manager, didn't live through the fire. The eerie part in this ending was
when Mike Enslin’s manager, Sam Farrell (Tony Shalhoub)receives manuscript from Enslin
himself on the day the fire incident occurred, a manuscript which contained a
complete record of all the protagonist’s paranormal experiences.
Trapped in a suspended world of false configuration to reality, how can a person inflicted with eternal oblivion, pain, guilt, and revenge manage to escape in a time loop cycle of a convoluted series of events depicting the awful and stressed memory from the past?
Director Christopher Smith’s decision to give the viewers a unique and refreshing contemporary scare is effective, and this is evident in his film Triangle. Those familiar with his works will notice the transformation that occurs from his previous films such as Severance and Creep, where the standard horror scenes depicting the usual cat and mouse chase between killer and victim have evolved into the more mature and innovative storyline found in Triangle. It somehow reminds me of the intricate plot of the film, Memento, in which the climax was shown at the beginning of the movie. The rest of the film played like the completion of a puzzle.
The film "Triangle," inspired by the classic horror "The Shining," executes a complete and balanced approach of terror and psychological contemplation. It follows the same tonal effect from the classic by illustrating the labyrinthine atmosphere found in the scenes of meandering corridors of the ghastly cruise ship and the image of a psychotic protagonist.
In order to immediately capture the sequence of the story and to be able to understand this film as a subject of the metaphysical aspects let me guide you by giving an outline of the story.
It was a relaxing Saturday morning on the coast of Miami, when a group of Americans organized a yachting adventure while heading towards the Atlantic Ocean. Jess (Melissa George) was invited by Greg (Michael Dorman) to join them sailing, together with the other passengers Sally (Rachael Carpani), Downey (Henry Nixon), Heather (Emma Lung), and Victor (Liam Hemsworth). Their peaceful yachting trip was diverted into a horrifying journey when their boat was struck by a mysterious storm that left them trapped at sea. A moment later, an old cruise ship appeared from the middle of nowhere, and they had no choice but to jump aboard in order to seek help, only to discover that greater havoc and terror ensued. While they were on the cruise ship, Jess was experiencing déjà vu where she felt a sense of familiarity as to the appearance of the ship. Also, she became suspicious on every aspect pertaining to her intuition that there was someone watching them and that it appeared to be a killer. As the story goes on, it slowly unfolds the mystery behind the identity of the killer who has a strong attachment to Jess.
In general, the entire story revolves around the interminable sorrow of Jess, a single mother with an autistic child (Joshua Mclvor). She has been experiencing an eternal recurrence of tragic events, the same cycle of unavoidable situations that always seem to end in the death of her son and friends.
The movie's title, “Triangle”, surely would suggest that this movie somehow has a connection to the mystery of the Bermuda Triangle. However, this unusual situation may seem to be illogical, for it lacks supporting details that would explain how she got into this predicament, a situation that deals with the distinction between illusion and reality as well as life and death. Going on all that has been said thus far, we could relate this to a psychological aberration, depicting a person with a schizophrenic disorder, or it could also be interpreted as a separate world of hell where in she is trapped in an inescapable cycle of illusions. These hallucinations may be caused by the guilt of being an abusive mother to her child, and she can’t accept the reality that she was that kind of a mother. Perhaps she is already dead and must repent for having been an abusive mother to her child, forever driven by her guilt and remorse.
Another indication that would suggest the existence of Jess being in the underworld hell can also be found in the scene where she is picked up in a taxi after the car accident. The taxi driver who drops her at the port is a metaphoric representation for "ferryman," which, in Greek mythology, means the boatman who transports souls across the river of suspended emotions toward hell.
This film has a surreal approach which is relatively darker and heavier in context, as opposed to the previous works of Smith, trying to build up tension and terrify the viewers through multifaceted layering. The story progressed entirely in terms of a multi layered structure presented for the purpose of emphasizing the different point of view of the protagonist regarding her participation in the replicated version of the same sequence of events that has happened on multiple previous occasions producing juxtaposition or overlapping scenario.
This particular structure complicated the storyline and drowned the viewers in confusion. However, it managed to stay consistent and clearly illustrate the alteration of the various complex characterizations of the protagonist based on her different perspectives as a victim of her own illusion, played by her guilt wracked mind; as a hero who was determined to save her friends from the killer by giving them a warning and as a mother who was desperately do anything just to be able to be with her son again.
With all the right ingredients of terror, psychological thrill, and eerie sensation, Smith was able to cook up a notable work that will surely satisfy the cravings of all avid horror fans, searching for a new menu of contemporary scare.